Monday, April 29, 2013

Choosing Texts for Early Readers

As an ELL teacher, choosing texts to use with my students is perhaps one of the most challenging parts of my job.  Each week, I struggle with how to focus my text selection: vocabulary topics?  grammar function?  fluency?  literary devices?  And then, from where should I pull the texts: guided reading room?  library?  from the same publisher each time, or mix and match?  In her book Becoming Literate, Marie Clay asserts that "it is the individual child's achievements and where he next needs to go that [should govern] the selection" (p. 182).  So, with the multitude of information our lower-level ELL's need to know, how do we choose a text that will meet their needs, but still foster a love of reading?

Some tips from Marie Clay:
  • Use texts you have previously read to students.  Known texts are "still new and challenging because the child is bringing that prior knowledge to the text...using a different kind of support from the interactive sharing of the task with the teacher" (p. 184).  Be sure to couple the re-reading of the text with a new focus.  If the original sharing of the book focused on vocabulary, have the re-reading experience tackle a literary device used by the author.
  • Be wary of using contrived texts: "If [students] have only read controlled vocabulary texts [they] will have difficulty with texts that do not control the vocabulary" (p. 187).  Relying on contrived texts can also have a detrimental effect on oral language development if students learning English are presented with one way of "speaking" English in texts and then are expected to understand and respond to the language those around them produce naturally. 

  • Story books should be an integral part of a student's reading journey, but should not be the only method used to teach students to read. "To learn to anticipate the language and situations found in stories children have to build up a vast experience with children's story books...Some children do not get those experiences before they come to school and teachers who use a story book reading programme must provide them with make-up experiences" (189).  ELL's often come to school with very little knowledge of story structure or the purpose of reading.  It's therefore imperative that we provide as many opportunities for our students to interact with quality literature as possible.  However, story books are not often written for beginning readers to read on their own.  Portions could be read by students in a big-book or projectable format.  Language Experience Approach texts could be created by students based on the story books to give students a pathway into the text.

  • While LEA's do give children who are learning English a textual experience with which they can connect, "it is not enough to read only natural language or language experience texts.  Children need book experience to read books.  Book language has different forms and different frequencies of occurrence from spoken dialects.  Natural language texts can be regarded as transitional texts, used when the child is just beginning to relate what he knows about oral language and print to the written texts he is trying to read"  (p.191).

For slower readers and those who are learning to read while at the same time learning English, natural experience texts and repeated contact with familiar literary texts initially presented by teacher are a natural starting point for literacy development.  Consistently working only with simple, controlled material can "develop habitual responding for that type of material.  This learning will not transfer readily to more complex texts" (195).  Staying away from such contrived texts is especially critical for ELL's.  Students must be exposed to rich language use and have the opportunity to swim around in it and be immersed.  This is the only way their oral language, and then later their written language, will develop to the depth of meaning that native English speakers enjoy.

Happy reading,
Jacquie

Monday, April 8, 2013

Directionality and Storybook Reading

In Chapter 6 of Becoming Literate, Marie Clay writes that children face three main challenges after their initial experiences with print.  One of those challenges is the directionality of print.  In English text, of course, this means learning that print goes left to right.  Period.

I hadn't considered this skill to be anything unusual for children to learn until Clay opened my eyes: "The child's everyday experience has actually trained him in different habits from those he needs in reading.  An orange, a dog or a favourite toy must be recognized from any viewing angle.  Meaning is constant when the object is small or large, is upside-down, back-to-front, or sideways to the viewer...On entry to school he has to learn that in one particular situation, when he is faced with printed language, flexibility is inappropriate."  (Clay, 1991).  DUH!  I had never thought of directionality in reading as something entirely foreign in its adherence to one serial direction in the world of a child for whom every other experience has been multi-directional.

After that "ah-ha" moment, I decided to check out whether or not my kindergarten students truly understood the directionality of print.  Using the Sulzby Storybook Reading Assessment, I had my students read a Goldilocks book to me.  The students were already familiar with the text from a read aloud the previous week.  The book has multiple lines of print on each page, so I was able to gauge whether or not students had learned the following:
  • directionality
  • return sweep
  • high frequency words
  • using pictures to gain meaning
  • the language "style" of story telling
In addition, I was also able to take notes on what aspects of oral English the students have acquired.  For example, whether or not they correctly form and use plural nouns or regular past tense verbs. 

The Sulzby assessment taught me a lot about my students!  I was surprised to learn that one of my students has not yet mastered directionality.  Not surprisingly, he was also the only one who didn't use the pictures to tell a story, but rather just labeled what he saw in each picture.  He jumped back and forth between right and left pages of the book and only attended to the pictures.  He paid no attention to the print.  My other two kindergarteners demonstrated knowledge of each of the skills I was assessing.  One of the students even made a serious attempt to read each word on the page, and he did a great job of it!

Now, I know which of my students are ready to move on, and which needs more work with simple, one lined texts and retelling stories after read alouds.  I highly recommend reading the Sulzby article (link above) and trying this assessment with emergent readers.

Happy reading!
Jacquie

Monday, April 1, 2013

Islands of Certainty

The title of this blog post is one of my favorite Marie Clay-isms: "islands of certainty."  She writes that "in the familiar story the child locates a word he knows and builds a response around it.  Then the child's reading of text comes to be controlled by particular words even though he can only recognize one or two words" (Clay, 1991).  These familiar words are the "islands of certainty" in a sea of unknown text.  Often, for emerging readers, these islands are sight words.

If you visit pinterest, you'll find a plethora of sight word games and activities geared to helping children memorize these most common words in English text.  However, the majority of the activities involve memorizing the words out of context.  For ELL's, sight words are often meaningless, so it's imperative that literacy teachers of ELL's focus on meaning and usage when teaching sight words and present the words in connected text.

Introducing new sight words doesn't need to be overly complicated, even when working with emergent language learners.  For example, when working with my first grade emergent students, I introduce new sight words with the following 5-day procedure:
  1. Oral language practice: I write five new sight words on index cards.  We practice reading them out loud.  I use each word in a sentence or two as examples.  Then, the students all use each word in a sentence.  My students love making up sentences so well that they usually have multiple sentences for each word!  This is not only a great way for the students to get oral language practice, but it's also an opportunity for me to ensure that the students truly understand what each word means and how to use it.  I can gently correct any misunderstandings before they become fossilized.
  2. Words in context: I write sentences with each sight word on sentence strips that I post on the board.  The sentences are taken from those that the students invented the day before.  We read the sentences together out loud.  Then, the students choose one of the sentences to re-read with expression.  This is also a big hit!
  3. Guess the covered word: I cover or remove the targeted sight word from each sentence, and the students have to choose the correct word to go in the sentence.  We then do the same procedure with new sentences using the targeted sight words.
  4. Writing sentences: Students write sentences of their own using each of the targeted sight words.  Then, they share their favorite with their classmates.
  5. Fast ten: This is a quick check of the new sight words and a few known sight words.  Students write the words on white boards as quickly as they can.  They only win "points" if they not only write the word quickly, but also correctly.
Throughout the week, we find and circle the targeted sight words in our focus story and in our shared writing.  This gives students many more examples of the use of sight words in connected text.

I keep a list of the sight words that I've taught to the group.  When I read with each student individually each week, I double and triple-check that these "islands of certainty" remain not only in the students' reading repertoire, but that they are also using those sight words correctly in their oral language.  The one-on-one time I eke out to read with each student gives me the perfect venue for checking progress on a number of skills.  Carving out that time isn't easy, but it's well worth the effort!

For more activity ideas that use connected text to teach new words to ELL students, check out Phonics They Use by Patricia Cunningham.

Happy reading,
Jacquie